Elizabeth I's strategies of power founded their success on the ability of the Queen to impersonate different roles, and to inaugurate a semiotics of family relationships. The article uses passages from the speeches to show how Elizabeth appropriates and makes use of figures of male royalty and female figures, performing the same gender-based mediation that was evident in her manipulation of the courtly entertainment. The identification of a mode of political Petrarchism in the speeches underlines their closeness with more private writings, and points towards the identification of a literary persona that has so far been overshadowed by the political one
This dissertation examines a series of specific problems affecting England's queens regnant, which a...
In 1559 when Elizabeth I became Queen of England, her country was on the brink of great social and p...
Queen Elizabeth I’s musical talents and the elaborate music of her courtly entertainments are widely...
Queen Mary I was crowned in 1553, becoming the first reigning queen of England. In order to provide ...
This article juxtaposes the letters written by Elizabeth I to her last suitor, Francis, Duke of Anjo...
Renaissance England is often discussed in the context of theatre and theatrical acting. The fact is...
Queen Elizabeth I\u27s writing is contextually significant; it represents not only Elizabeth\u27s th...
Graduation date: 2012Sixteenth century Elizabeth I of England has long been a figure of interest to\...
Focussing on the reign of Queen Elizabeth I, this collection of essays investigates the relation bet...
Much as they usually move in a restricted circle and deal only with their consort and a few royal ad...
Elizabeth I and the ‘Sovereign Arts’ brings together eighteen wide-ranging and accessible essays on ...
Queen Elizabeth I reigned over a period of cultural and political vitality between 1558—1603. She cu...
Published in a volume on public and private communication in the history of the English language, th...
Part of a special section on the reign of Queen Elizabeth I of England. The writer examines the clos...
The purpose of this dissertation, Busy Bodies: the Role of Women at the Court of Elizabeth I, 1558-1...
This dissertation examines a series of specific problems affecting England's queens regnant, which a...
In 1559 when Elizabeth I became Queen of England, her country was on the brink of great social and p...
Queen Elizabeth I’s musical talents and the elaborate music of her courtly entertainments are widely...
Queen Mary I was crowned in 1553, becoming the first reigning queen of England. In order to provide ...
This article juxtaposes the letters written by Elizabeth I to her last suitor, Francis, Duke of Anjo...
Renaissance England is often discussed in the context of theatre and theatrical acting. The fact is...
Queen Elizabeth I\u27s writing is contextually significant; it represents not only Elizabeth\u27s th...
Graduation date: 2012Sixteenth century Elizabeth I of England has long been a figure of interest to\...
Focussing on the reign of Queen Elizabeth I, this collection of essays investigates the relation bet...
Much as they usually move in a restricted circle and deal only with their consort and a few royal ad...
Elizabeth I and the ‘Sovereign Arts’ brings together eighteen wide-ranging and accessible essays on ...
Queen Elizabeth I reigned over a period of cultural and political vitality between 1558—1603. She cu...
Published in a volume on public and private communication in the history of the English language, th...
Part of a special section on the reign of Queen Elizabeth I of England. The writer examines the clos...
The purpose of this dissertation, Busy Bodies: the Role of Women at the Court of Elizabeth I, 1558-1...
This dissertation examines a series of specific problems affecting England's queens regnant, which a...
In 1559 when Elizabeth I became Queen of England, her country was on the brink of great social and p...
Queen Elizabeth I’s musical talents and the elaborate music of her courtly entertainments are widely...